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BWV 700
(Christ our Lord came to the Jordan), 7, is one of several church cantatas which Johann Sebastian Bach composed for the Feast of St. John the Baptist. He wrote it in Leipzig and led its first performance on 24 June 1724. It is the third cantata Bach composed for his chorale cantata cycle, the second cantata cycle he started after being appointed Thomaskantor in 1723. The cantata is based on the seven stanzas of Martin Luther's hymn "", about baptism. The first and last stanza of the chorale were used for the outer movements of the cantata, while an unknown librettist paraphrased the inner stanzas of the hymn into the text for the five other movements. The first movement, a chorale fantasia, is followed by a succession of arias alternating with recitatives, leading to a four-part closing chorale. The cantata is scored for three vocal soloists (alto, tenor and bass), a four-part choir, two oboes d'amore, two solo violins, strings and continuo. History and words Bach compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata (Bach)
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his Bach's chorale cantata cycle, chorale cantata cycle. The eldest known Bach cantata, cantata by Bach, an early version of ''Christ lag in Todes Banden, BWV 4, Christ lag in Todes Banden'', Bach-Werke-Verzeichnis, BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was Wie schön leuchtet der Morgenstern, BWV 1, ''Wie schön leuchtet der Morgenstern'', BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle. Lutheran hymns, also known as chorales, have a prominent place in the liturgy of that Christian denomination, denomi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for Pipe organ, organ, and vocal settings, for example the opening movements of Chorale cantata (Bach), Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of German organ schools, North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedictus (Song Of Zechariah)
The Benedictus (also Song of Zechariah or Canticle of Zachary), given in Gospel of , is one of the three canticles in the first two chapters of this Gospel, the other two being the "Magnificat" and the "Nunc dimittis". The Benedictus was the song of thanksgiving uttered by Zechariah on the occasion of the circumcision of his son, John the Baptist. The canticle received its name from its first words in Latin ("''Benedictus Dominus Deus Israel''", “Blessed be the Lord God of Israel”). Structure The whole canticle naturally falls into two parts. The first (verses 68–75) is a song of thanksgiving for the realization of the Messianic hopes of the Jewish nation; but to such realization is given a characteristically Christian tone. As of old, in the family of David, there was power to defend the nation against their enemies, now again that of which they had been so long deprived, and for which they had been yearning, was to be restored to them, but in a higher and spiri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Luke
The Gospel of Luke is the third of the New Testament's four canonical Gospels. It tells of the origins, Nativity of Jesus, birth, Ministry of Jesus, ministry, Crucifixion of Jesus, death, Resurrection of Jesus, resurrection, and Ascension of Jesus, ascension of Jesus. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the Christianity in the 1st century, history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the messiah (Christ (title), Christ) from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion of Jesus, Passion, death, and resurrection. Most modern scholars agree that the main sources used for Luke were (1) the Gospel of Mark; (2) a hypothetical col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Isaiah
The Book of Isaiah ( ) is the first of the Latter Prophets in the Hebrew Bible and the first of the Major Prophets in the Christian Old Testament. It is identified by a superscription as the words of the 8th-century BC prophet Isaiah ben Amoz, but there is evidence that much of it was composed during the Babylonian captivity and later. Johann Christoph Döderlein suggested in 1775 that the book contained the works of two prophets separated by more than a century, and Bernhard Duhm originated the view, held as a consensus through most of the 20th century, that the book comprises three separate collections of oracles: Proto-Isaiah ( chapters 1– 39), containing the words of the 8th-century BC prophet Isaiah; Deutero-Isaiah, or "the Book of Consolation", ( chapters 40– 55), the work of an anonymous 6th-century BCE author writing during the Exile; and Trito-Isaiah ( chapters 56– 66), composed after the return from Exile. Isaiah 1– 33 promises judgment and restoration for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Baptist
John the Baptist ( – ) was a Jewish preacher active in the area of the Jordan River in the early first century AD. He is also known as Saint John the Forerunner in Eastern Orthodoxy and Oriental Orthodoxy, John the Immerser in some Baptist Christianity, Christian traditions, and as the prophet Yahya ibn Zakariya in Islam. He is sometimes referred to as John the Baptiser. John is mentioned by the History of the Jews in the Roman Empire, Roman Jewish historian Josephus, and he is revered as a major religious figure in Christianity, Islam, the Baháʼí Faith, the Druze faith, and Mandaeism; in the last of these he is considered to be the final and most vital prophet. He is considered to be a prophet of God in Abrahamic religions, God by all of the aforementioned faiths, and is honoured as a saint in many Christian denominations. According to the New Testament, John anticipated a messianic figure greater than himself; in the Gospels, he is portrayed as the precursor or forerunn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheranism, Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Sunday
Trinity Sunday is the first Sunday after Pentecost in the Western Christianity, Western Christian liturgical year, liturgical calendar, and the Sunday of Pentecost in Eastern Christianity. Trinity Sunday celebrates the Christian doctrine of the Trinity, the three Persons of God: the God the Father, Father, the God the Son, Son, and the Holy Spirit. Western Christianity Trinity Sunday is celebrated in all denominations of the Western liturgical churches: Latin Catholic, Lutheran, Anglican, Reformed Christianity, Reformed (Continental Reformed, Presbyterian, Congregationalist), and Methodist. History In the early Church, no special Office or day was assigned for the Holy Trinity. When Arianism, the Arian heresy was spreading, the Fathers prepared an Office with canticles, responses, a Preface, and hymns, to be recited on Sundays. In the Sacramentary of Pope Gregory I, Gregory the Great there are prayers and the Preface of the Trinity. During the Middle Ages, especially during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's Second Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for inclusion in his chorale cantata cycle. Around the start of the Bach Revival in the 19th century, almost no manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell on a Sund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
